An overview of the artist?s most recent work where he
uses models of figures and shapes made of modeling clay,
which then translates into greatly enlarged and exaggerated
paintings.
His paintings may seem childlike and naive, but the artist
goal is to avoid faithful accuracy in favor of a universal
expression.
Pérez is more interested in the fundamental constellations
of human existence and interaction than in any popular
ubiquitous and increasingly hollow social criticism.